The English tenor, Tom Phillips, has appeared with many of Europe's leading early music ensembles, including Collegium Vocale Gent (Director: Philippe Herreweghe), Gabrieli Consort (Director: Paul McCreesh), Huelgas Ensemble, Taverner Consort (Director: Andrew Parrott), The Tallis Scholars (Director: Peter Phillips), Dufay Collective, Dunedin Consort (Director: John Butt), Amsterdam Baroque (Director: Ton Koopman), The English Concert, London Baroque (Director: Charles Medlam), The King's Consort (Director: Robert King), Cambridge Singers (Director: John Rutter), Retrospect Ensemble (Director: Matthew Halls) and the Orchestra of the Age of Enlightenment. He is a member of Ensemble Plus Ultra. With these and other ensembles he has made over 150 CD recordings and toured more than ﬁfty countries worldwide.
As a soloist Tom Phillips has performed J.S. Bach's Mass in B minor (BWV 232) with Sir John Eliot Gardiner and the English Baroque Soloists, Monteverdi’s 1610 Vespers with Robert King and The King's Consort, J.S. Bach's St ]ohn Passion (BWV 245) with Paul Goodwin and the Academy of Ancient Music, George Frideric Handel's Acis and Galatea with Paul McCreesh and the Gabrieli Consort, Igor Stravinsky’s Mass with Philippe Herreweghe and the Royal Flanders Philharmonic Orchestra, Ralph Vaughan Williams’ Serenade to Music with Paul Goodwin and the English Chamber Orchestra and Monteverdi's Selva Morale e Spirituale with Christophe Rousset and Les Talens Lyriques.
Tom Phillips' more eclectic appearances include his debut at La Scala in Milan with the Harp Consort, the sound track to the ﬁlm Pirates of the Caribbean, and concert tours with Gregorian, the German rock band, sporting a silver crushed velvet monk’s habit.