The Spanish baritone, Enrique Sánchez-Ramos, began his musical studies at age 9 at the Joaquin Rodrigo Music School of Aranjuez, Madrid. He holds degrees in Solfeggio and Piano Teaching as well as as Choral Conductor. In 1994 he began his vocal studies at the Professional Conservatory Teresa Berganza in Madrid. Since then he has also studied with Menasse Hadjes and the Argentian tenor Daniel Muñoz.
He made his debut as a soloist in 2002 singing J.S. Bach's Cantata BWV 63 at the Auditorium Padre Soler of the Carlos III University, where he also made his operatic debut singing Guglielmo in Mozart's Cosi fan Tutte.
Since his debut he has performed in the most important theatres and concert halls of Spain, singing a vast repertoire that includes roles like Schaunard in La Bohème, Pelayo in Covadonga by R. Chapí, Baron Duphol in La Traviata, Silvano in Un Ballo in Maschera, Melot in Tristan und Isolde, Capitán Alberto in Marina by Arrieta, Sancho in Dulcinea by Mauricio Sotelo, baritone part in Rossiniana High in calories by Enrique Viana, Figaro in Barber of Seville, Marcello in La Bohème Morales in Calixto Bieto's production of Georges Bizet's Carmen, Belcore in Elisir D'Amore, Enrico in Lucia di Lammermoor; Sharpless in Madama Butterfly, Don Giovanni, Guglielmo in Cosi fan tutte, Lubino in Una cosa Rara by Martin y Soler, works like La Venta de Don Quijote by Ruperto Chapí, Cántico Espiritual by José Zárate and Charpentier's Te Deum, Roque in Marina by Arieta, Haydn's Mass In Tempore Belli, the zarzuela Agua ,Azucarillos y Aguardiente by F. Chueca, German Requiem, Purcell's King Arthur, George Frideric Handel's The Messiah and Mozart's Le Nozze di Figaro.
Since 2004 he has sung as baritone soloist with the early music ensemble Hippocampus in the integral cycle of Bach's Cantatas sponsored by Madrid's Town Hall. His latest engagements include Orff`s Carmina Burana and the premiere of Pilar Jurado's Numerum Nominis in Madrid's Auditorio Nacional.