The Italian bass, Abramo Rosalen, began studying singing after graduation in organ. He was finalist and winner of national and international competitions.
Abramo Rosalen made his debut for the Venice Biennale in 2002 with the contemporary opera Big Bang Circus by Claudio Ambrosini at the Lirico in Trieste and the San Carlo in Naples. He sang Gaudenzio in Il Signor Bruschino by Rossini, and Tobia Mill La cambiale di matrimonio at the Festival Galuppi in Venice; at the Teatro La Fenice he has performed in Nino Rota's Il principe porcaro, Carlo de Pirro's L’Angelo e L’ura and Frere Laurent in Charles Gounod's Romeo et Juliett. In the opera houses of Tuscany and Triveneto he sang Ramfis in Verdi's Aida, Oroe in Rossini's Semiramide, Leporello and the Commendatore in W.A. Mozart's Don Giovanni, Polyphemus in George Frideric Handel's Acis and Galatea, Puccini's Il tabarro, Bartolo in W.A. Mozart's Le nozze di Figaro. At Rendano in Cosenza he sang Sarastro in W.A. Mozart's Die Zauberflöte and Don Magnifico in Rossini's La Cenerentola. In Milan, Lecco and Faenza he sang Zechariah in Verdi's Nabucco at Olimpico in Vicenza Basilio in Rossini's Barbiere di Siviglia. |