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CR-47 |
Bach: Kantate BWV 47 Wer sich selbst erhöht, der wird erniedrigt werden, Heinz Hennig |
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Cantata Wer sich selbst erhöht, der wird erniedrigt werden, BWV 47 [23:56] |
Heinz Hennig |
Knabenchor Hannover / Kammerorchester Barbara Koerppen |
Soprano: Ilse Hollweg; Bass: Carl-Heinz Müller
Barbara Koerppen (Solo Violin); Klaus Kraffert (Oboe) [BWV 47/4] |
YouTube |
c1972 |
Audio / TT |
Recorded in Hannover, Germany. Tape recording from the radio.
Listen on YouTube:
Cantata BWV 47: Complete Cantata [23:56] |
Recordings of Other Vocal Works |
V-1 |
J.S. Bach: Motetten BWV 225-230 |
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Motets BWV 225-230 [14:17, 21:03, 17:55 (227+228), 16:23 (229+230)] |
Heinz Hennig |
Knabenchor Hannover / Collegium Aureum |
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Deutsche Harmonia Mundi 1C-157-99901/02
EMI Deutsche Harmonia Mundi CDM7-69277-2 |
1980 |
2-LP / TT: 69:38
CD / TT: |
Recorded in Hildesheim, Lower Saxony, Germany. Co-production with WDR. |
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V-2 |
J.S. Bach: Matthäus-Passion BWV 244b - Urfassung
1727/29 |
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Matthäus-Passion BWV
244 - Urfassung 1727/29, BWV 244b |
Heinz Hennig |
Knabenchor
Hannover & Thomanerchor
Leipzig (Direction: Georg
Christoph Biller) / Akademie für Alte
Musik Berlin & Barockorchester L'ARCO
(Konzertmeister: Christoph
Heidemann) |
Tenor [Evangelist]: Gerd Türk;
Bass [Christus]: Thomas Mohr; Soprano
[Arias, Ancilla I, Uxor Pilati]: Elisabeth
Scholl; Alto [Arias, Ancilla II, Testis I]: Nathalie
Stutzmann; Tenor [Arias, Testis II, Pontifex I]: Andreas
Karasiak; Bass [Arias, Petrus, Pontifex II, Pontius Pilatus, Judas]: Hanno
Müller-Brachmann |
Thorofon STW-99941-3 |
Apr 29, 2000 |
3-CD / TT: 161:38 |
Recorded in Pro-Musica-Konzerts in the Reihe Hommage
à Bach at Kupplesaal des Congress-Centrums Hannover, Germany.
Co-production with Norddeutschen Rundfunk. Recording Director: Frank Lipp;
Recording Enginner: Martin Lohmann. |
Recordings with Hilliard Ensemble |
H-1 |
J.S. Bach: Motetten · Motets [V-1]
Bach · Schütz: Motets / Psalms 119, 100 [V-1] |
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Motets BWV 225-230
[13:53, 8:07, 22:01, 8:44, 8:30, 6:33] |
Paul Hillier |
Hilliard Ensemble
/ Knabenchor Hannover / London
Baroque |
Hilliard Ensemble: Altos: David
James, Charles Brett; Tenors: Rogers
Covey-Crump, John Potter; Basses:
Gordon Jones, Michael
George
Soloists from the Knabenchor
Hannover (Chorus Master: Heinz
Hennig): Soprano: Roger Cericius;
Altos: Detlef Bratschke; Christhard
Liebert
London Baroque: Charles Medlam
(Cello); William Hunt (Violone); John Toll (Positive Organ); Stephen
Stubbs (Baroque Lute) |
Angel DFO-38241
His Master's Voice: 27-0238-1
EMI Reflexe CDC7-49204-2
Virgin Veritas 7243-4-82100-29 |
Jul 3-9, 1984 |
LP / TT: 68:28
LP / TT: 68:28
CD / TT: 68:28
2-CD / TT: 156:08 |
Recorded at Church of St Osdag, Mandelsoh, Hannover,
Germany.
1st recording of Motets BWV 225-230 by Hilliard Ensemble.
Buy this album at:
EMI/Capitol CD (1989): Amazon.com
| Amazon.co.uk
| Amazon.de
Virgin 2-CD (2005): Amazon.com
| Amazon.co.uk
| Amazon.de |
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Recordings with Gustav Leonhardt |
Recordings with Raymond Leppard |
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