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K-1 |
The Harmonious Blacksmith - Favourite Harpsichord Encores [K-3] |
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Italian Concerto in F major, BWV 971: Allegro (Mvt. 1) [4:29]
French Suite No. 5 in G major, BWV 816: Gavotte [1:26], Bourrée [1:32], Loure [2:33], Gigue [3:54] |
Robert Aldwinckle (Harpsichord) [harpsichords by John Horniblow] |
Regis 1293 |
1986 |
CD / TT: 71:03 |
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K-2 |
Bach: Goldberg Variations [K-19] |
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Partita No. 5 in G major, BWV 829: Prelude [2:30]
Goldberg Variations BWV 988 [71:38]
Bach-Hess: Chorale Jesu, joy of man’s desiring (Mvt. 10) from Cantata BWV 147, transcribed for piano [3:50] |
Tatiana Nikolayeva (Piano) |
BBC Legends 4228 |
Nov 10, 1986 |
CD / TT: 77:58 |
Recorded at St. John's, Smith Square, London, England.
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K-3 |
J.S. Bach: The Well-Tempered-Clavier · Das Wohltemperierte Klavier [K-1] [K-2] |
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WTC 1: 24 Preludes & Fugues BWV 846-869
WTC 2: 24 Preludes & Fugues BWV 870-893 |
Martin Galling (Harpsichord) |
Documents (from Vox) |
1964 |
4-CD / TT: 155:23 |
Reissue. |
K-6 |
J.S. Bach: Piano Music, including 'Italian Concerto' [K-18] |
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Italian Concerto in F major, BWV 971 (1735) [11:54]
Bach-Nikolayeva: Toccata & Fugue in D minor, BWV 565, transbsibed for piano (appeared as by Busoni) [9:30]
Bach-Hess: Chorale Jesu, joy of man’s desiring (Mvt. 10) from Cantata BWV 147, transcribed for piano [3:42]
Bach-Busoni: Chorale Prelude Wachet auf, ruft uns die Stimme, BWV 645, transcribed for piano [4:41]
Bach-Takahashi: Fugue in G minor ("Little"), BWV 578, transcribed for piano (appeared as by Busoni) [5.38]
Bach-Busoni: Chorale Prelude Nun komm' der Heiden Heiland, BWV 659, transcribed for piano [5:58]
Bach-Busoni: Chaconne (Mvt. 5) from Partita for solo violin No. 2 in D minor, BWV 1004, transcribed for piano [16:54]
Bach-Busoni: Chorale Prelude Ich ruf' zu dir, BWV 639, transcribed for piano [4:33]
Bach-Kempff: Siciliano (Mvt. 2) from sonata for flute & keyboard No. 2 in E major, BWV 1031, transcribed for piano (appeared as by Busoni) [5:19] |
Tatiana Nikolayeva (Piano) |
Regis 1285 |
1980 |
CD / TT: 68:17 |
Recorded in Moscow, Russia. Probably compiled from [K-5] [K-6]
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K-7 |
The Italian Connection [K-1] |
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Concerto No. 1 in D major (after A. Vivaldi), BWV 972 []
Concerto No. 2 in G major (after A. Vivaldi), BWV 973 []
Concerto No. 3 in D minor (after A. Marcello), BWV 974 []
Concerto No. 4 in G minor (after A. Vivaldi), BWV 975 []
Concerto No. 7 in F major (after A. Vivaldi), BWV 978 []
Concerto No. 8 in B minor (after G. Torelli), BWV 979 []
Concerto No. 10 in C minor (after B. Marcello), BWV 981 [] |
Vital Julian Frey (Harpsichord) [German, double manual harpsichord, after Michael Mietke, Berlin (1665–1726), disposition 2x8', 1x4', lute stop, built by Christoph Kern 2003, Staufen, Germany] |
Deutsche Harmonia Mundi |
Nov 6-8, 2006 |
SACD / TT: |
Recorded at Martinskirche Müllheim, Germany.
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Musical Offering & Art of Fugue |
A-1 |
J.S. Bach: Musikalisches Opfer; Präludium & Fuge, BWV 552; Frescobaldi: 3 Toccaten [A-1] |
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Musical Offering BWV 1079 [48:47] |
Konstantin Lifschitz (Piano) |
Orfeo C676071A |
Nov 30-Dec 3, 2005 |
CD / TT: 74:15 |
1st recording of the complete Musical Offering BWV 1079 on a modern concert grand piano.Recorded at Bavaria-Musik-Studios, Munich, Germany.
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Arrangements & Transcriptions |
T-1 |
Eugene Goosens: Complete Piano Music [T-1] |
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Bach-A.E. Goosens: Andante (Mvt. 2) from Brandenburg Concerto No. 2 in F major, BWV 1047, transcribed for piano [4:09] |
Antony Gray (Piano) |
ABC Classics 4767636 |
Mar 3-5 & 10, 1998 |
2-CD / TT: 138:00 |
Recorded at the Eugene Goossens Hall of the ABC's Ultimo Centre, Sydney, Australia.
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