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Helmuth Rilling
Bach Cantatas & Other Vocal Works
Discography - Part 4 |
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Complete Cycle of Sacred Cantatas on Hänssler - 1st Edition on CD (Vols. 47-69) |
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C-47 |
Die Bach Kantate Vol. 47 (Cantatas BWV 101, 102, 77) |
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Cantatas BWV 101 [23:59], BWV 102 [23:44], BWV 77 [17:15] |
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Helmuth Rilling |
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Gächinger Kantorei Stuttgart / Bach-Collegium Stuttgart |
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BWV 101: Soprano: Arleen Augér; Alto: Helen Watts; Tenor: Aldo Baldin; Bass: John Bröcheler
Bernhard Schmidt (Trumpet); Gerhard Cichos, Erhard Wetz, Manfred Eichhorst (Trombones); Peter-Lukas Graf (Flute); Klaus Kärcher, Hedda Rothweiler (Oboes); Dietmar Keller (Oboe da caccia); Kurt Etzold (Bassoon); Wilhelm Melcher (Violin); Peter Buck (Continuo Cello); Thomas Lom (Double-bass); Hans-Joachim Erhard (Harpsichord, Positive Organ); Bärbel Schmid (Positive Organ)
BWV 102: Alto: Eva Randova; Tenor: Kurt Equiluz; Bass: Wolfgang Schöne
Peter-Lukas Graf (Flute); Otto Winter, Thomas Schwarz (Oboes); Hans Mantels (Bassoon); Jürgen Wolf (Continuo Cello); Manfred Gräser (Double-bass); Martha Schuster (Harpsichord, Positive Organ)
BWV 77: Soprano: Helen Donath; Alto: Julia Hamari; Tenor:Adalbert Kraus; Bass: Wolfgang Schöne
Hannes Läubin (Trumpet); Günther Passin (Oboe) [Mvt. 1]; Daisuke Mogi (Oboe d'amore) [Mvt. 1]; Otto Winter (Oboe) [Mvt. 3]; Thomas Schwarz (Oboe) [Mvt. 3]; Hans Mantels (Bassoon); Jürgen Wolf (Cello) [Mvts. 2-4]; Helmut Veihelmann (Cello) [Mvts. 1,5,6]; Manfred Gräser (Double-bass) [Mvts. 2-4]; Harro Bertz (Double-bass) [Mvts. 1,5,6]; Martha Schuster (Harpsichord); Hans-Joachim Erhard (Positive Organ) |
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Hänssler 98.809 |
BWV 101: Feb, Oct 1979
BWV 102: Feb 1972
BWV 77: Feb 1972 [Mvts. 2-4]; Jul 1983 [Mvts. 1,5,6] |
CD / TT: 64:58 |
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Recorded at Gedächtniskirche Stuttgart, Baden-Württemberg, Germany.
BWV 101: Recording: Tonstudio Teije van Geest, Heidelberg; Recording Supervision: Richard Hauck.
BWV 102: Recording: Sonopress Tontechnik, Gütersloh; Recording Supervision: Richard Hauck, Wolfram Wehnert.
BWV 77: Recording: Tonstudio Teije van Geest, Heidelberg [Mvts. 1,5,6]; Sonopress Tontechnik Gütersloh [Mvts. 2-4]; Recording Supervision: Richard Hauck.
Listen on YouTube:
Cantata BWV 77: Complete Cantata [16:35] | Mvt. 3: Aria [S] [4:44]
Buy this album at:
CD-1 (1996): Amazon.com | Aamazon.co.uk | Amazon.de |
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C-48 |
Die Bach Kantate Vol. 48 (Cantatas BWV 199, 113, 25) |
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Cantatas BWV 199 [26:05], BWV 113 [26:10], BWV 25 [15:58] |
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Helmuth Rilling |
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Frankfurter Kantorei, Gächinger Kantorei Stuttgart / Bach-Collegium Stuttgart |
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BWV 199: Soprano: Arleen Augér
Ingo Goritzki (Oboe); Günther Pfitzenmaier (Bassoon); Hans Eurich (Viola); Hans Häublein (Continuo Cello); Manfred Gräser (Double-bass); Hans-Joachim Erhard (Harpsichord)
BWV 113: Soprano: Arleen Augér; Alto: Gabriele Schreckenbach; Tenor: Adalbert Kraus; Bass: Niklaus Tüller
Peter-Lukas Graf (Flute); Günther Passin (Oboe, Oboe d'amore); Thomas Schwartz (Oboe, Oboe d'amore); Kurt Etzold (Bassoon); Jürgen Wolf (Continuo Cello); Jakoba Hanke (Violoncello) [Mvt. 7]; Manfred Gräser (Double-bass); Harro Bertz (Double-bass) [Mvt. 7]; Martha Schuster (Harpsichord, Positive Organ); Hans-Joachim Erhard (Harpsichord, Positive Organ) [Mvt. 7]
BWV 25: Soprano: Arleen Augér; Tenor: Adalbert Kraus; Bass: Philippe Huttenlocher
Hans Wolf (Trumpet); Gerhard Cichos, Gerrit Schwab, Hans Rückert (Trombones); Peter Thalheimer, Christine Thalheimer-Bartl, Eva Praetorius (Recorders); Allan Vogel, Hedda Rothweiler (Oboes); Günther Pfitzenmaier (Bassoon); Jürgen Wolf (Continuo Cello); Thomas Lom (Double-bass); Hans-Joachim Erhard (Harpsichord, Positive Organ) |
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Hänssler 98.810 |
BWV 199: Mar-Apr 1976
BWV 113: Mar-Apr 1973; May 1981 (Mvt. 7)
BWV 25: Sep, Dec 1977; Jan 1978 |
CD / TT: 68:13 |
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Recorded at Gedächtniskirche Stuttgart, Baden-Württemberg, Germany.
BWV 199: Recording: Südwest-Tonstudio Stuttgart; Recording Supervision: Richard Hauck; Sound Engineer: Henno Quasthoff.
BWV 113: Recording: Sonopress Tontechnik Gütersloh [Mvts. 1-6,8], Tonstudio Teije van Geest, Heidelberg [Mvt. 7]; Recording Supervision: Richard Hauck.
BWV 25: Recording: Südwest-Tonstudio Stuttgart; Recording Supervision: Richard Hauck; Sound Engineer: Henno Quasthoff.
Listen on YouTube:
Cantata BWV 199: Mvt. 1: Recitative [2:23]
Cantata BWV 113: Complete Cantata [26:41]
Buy this album at:
CD-1 (1992): Amazon.com | Amazon.co.uk | Amazon.de |
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C-49 |
Die Bach Kantate Vol. 49 (Cantatas BWV 35, 33, 164) |
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Cantatas BWV 35 [26:25], BWV 33 [21:01], BWV 164 [17:53] |
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Helmuth Rilling |
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Gächinger Kantorei Stuttgart / Bach-Collegium Stuttgart |
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BWV 35: Altos: Julia Hamari
Hans-Joachim Erhard (Organ); Diethelm Jonas, Hedda Rothweiler (Oboes); Dietmar Keller (Oboe da caccia); Günther Pfitzenmaier (Bassoon); Otto Armin (Concert-master); Ansgar Schneider (Violoncello); Harro Bertz (Double-bass); Michael Behringer (Harpsichord)
BWV 33: Alto: Helen Watts; Tenor: Frieder Lang; Basses: Philippe Huttenlocher
Fumiaki Miyamoto, Hedda Rothweiler (Oboes); Thunemann (Bassoon); Martin Ostertag (Continuo Cello); Thomas Lom (Double-bass); Hans-Joachim Erhard (Harpsichord, Positive Organ)
BWV 164: Soprano: Edith Wiens; Alto: Julia Hamari; Tenor: Lutz-Michael Harder; Bass: Walter Heldwein
Peter-Lukas Graf, Sibylle Keller-Sanwald (Flutes); Fumiaki Myamoto, Hedda Rothweiler (Oboes); Kurt Etzold (Bassoon); Georg Egger (Concert-master); Barbara Haupt-Brauckmann (Continuo Cello); Harro Bertz (Double-bass); Hans-Joachim Erhard (Harpsichord, Positive Organ) |
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Hänssler 98.811 |
BWV 35: Oct 1982
BWV 33: Feb, Oct 1979
BWV 164: Nov 1981; Oct 1982 |
CD / TT: 65:19 |
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Recorded at Gedächtniskirche Stuttgart, Baden-Württemberg, Germany.
BWV 35: Recording: Tonstudio Teije van Geest, Heidelberg; Recording Supervision: Richard Hauck.
2nd recording of Cantata BWV 35 by H. Rilling.
BWV 33: Recording: Tonstudio Teije van Geest, Heidelberg; Recording Supervision: Richard Hauck.
BWV 164: Recording: Tonstudio Teije van Geest, Heidelberg; Recording Supervision: Richard Hauck.
Listen on YouTube:
Cantata BWV 33: Mvt. 3: Aria [A] [5:07]
Cantata BWV 164: Complete Cantata [17:46]
Buy this album at:
CD-1 (1992): Amazon.com | Amazon.co.uk | Amazon.de |
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C-50 |
Die Bach Kantate Vol. 50 (Cantatas BWV 138, 161, 95) |
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Cantatas BWV 138 [19:00], BWV 161 [20:36], BWV 95 [21:48] |
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Helmuth Rilling |
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Gächinger Kantorei Stuttgart, Frankfurter Kantorei / Bach-Collegium Stuttgart |
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BWV 138: Soprano: Arleen Augér; Alto: Ria Bollen; Tenor: Aldo Baldin; Bass: Philippe Huttenlocher
Allan Vogel, Hedda Rothweiler (Oboes d'amore); Günther Pfitzenmaier (Bassoon); Jürgen Wolf (Continuo Cello); Manfred Gräser (Double-bass); Hans-Joachim Erhard (Harpsichord, Positive Organ); David Deffner (Positive Organ)
BWV 161: Alto: Hildegard Laurich; Tenor: Adalbert Kraus
Peter Thalheimer, Christine Thalheimer (Recorders); Friedemann Schulz (Continuo Cello); Harro Bertz (Double-bass); Martha Schuster (Harpsichord, Organ); Hans-Joachim Erhard (Positive Organ)
BWV 95: Soprano: Arleen Augér; Tenor: Adalbert Kraus; Bass: Walter Heldwein
Johannes Ritzkowsky (Horn); Günther Passin, Allan Vogel (Oboes d'amore); Kurt Etzold (Bassoon); Hans Häublein (Continuo Cello); Thomas Lom (Double-bass); Hans-Joachim Erhard (Positive Organ) |
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Hänssler 98.812 |
BWV 138: Sep 1977; Jan 1978
BWV 161: Dec 1975; Mar, May 1976
BWV 95: Sep 1977; Jan 1978 |
CD / TT: 61:24 |
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Recorded at Gedächtniskirche Stuttgart, Baden-Württemberg, Germany.
BWV 138: Recording: Südwest-Tonstudio Stuttgart; Recording Supervision: Richard Hauck; Sound Engineer: Henno Quasthoff.
BWV 161: Recording: Südwest-Tonstudio Stuttgart; Recording Supervision: Richard Hauck; Sound Engineer: Henno Quasthoff.
BWV 95: Recording: Südwest-Tonstudio Stuttgart; Recording Supervision: Richard Hauck; Sound Engineer: Henno Quasthoff.
Listen on YouTube:
Cantata BWV 138: Complete Cantata [19:06] | Complete Cantata [18:59]
Cantata BWV 95: Complete Cantata [21:54]
Buy this album at:
CD-1 (1992): Amazon.com | Amazon.co.uk | Amazon.de |
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C-51 |
Die Bach Kantate Vol. 51 (Cantatas BWV 99, 8, 27, 48) |
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Cantatas BWV 99 [16:52], BWV 8 [16:55], BWV 27 [17:05], BWV 48 [15:00] |
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Helmuth Rilling |
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Gächinger Kantorei Stuttgart / Bach-Collegium Stuttgart |
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BWV 99: Soprano: Arleen Augér; Alto: Helen Watts; Tenors: Lutz-Michael Harder; Basses: John Bröcheler
Bernhard Schmid (Horn); Peter-Lukas Graf (Flute); Andreas Adorján (Flute); Klaus Kärcher (Oboe d'amore); Kurt Etzold (Bassoon); Albert Boesen (Violin); Peter Buck (Continuo Cello); Thomas Lom (Double-bass); Hans-Joachim Erhard (Harpsichord, Positive Organ)
BWV 8: Soprano: Arleen Augér; Alto: Helen Watts; Tenor: Adalbert Kraus; Bass: Philippe Huttenlocher
Bernhard Schmid (Horn); Peter-Lukas Graf (Flute); Hedda Rothweiler, Klaus Kärcher (Oboes d'amore); Martin Ostertag (Continuo Cello); Thomas Lom (Double-bass); Hans-Joachim Erhard (Harpsichord, Positive Organ)
BWV 27: Soprano: Edith Wiens; Alto: Gabriele Schreckenbach; Tenor: Lutz-Michael Harder; Bass: Walter Heldwein
Bernhard Schmid (Horn); Günther Passin, Hedda Rothweiler (Oboes); Maire-Lise Schüpbach (Oboe da caccia); Kurt Etzold (Bassoon); Walter Forchert (Concert-master); Jakoba Hanke (Continuo Cello); Harro Bertz (Double-bass); Hans-Joachim Erhard (Organ, Positive Organ); Martha Schuster (Harpsichord)
BWV 48: Alto: Marga Höffgen; Tenors: Aldo Baldin
Günther Passin, Otto Winter (Oboes); Kurt Etzold (Bassoon); Jürgen Wolf (Continuo Cello); Manfred Gräser (Double-bass); Martha Schuster (Harpsichord, Positive Organ) |
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Hänssler 98.813 |
BWV 99: Feb, Oct 1979
BWV 8: Feb, Oct 1979
BWV 27: Feb, Oct 1982
BWV 48: Mar-Apr 1973 |
CD / TT: 65:52 |
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Recorded at Gedächtniskirche Stuttgart, Baden-Württemberg, Germany.
BWV 99: Recording: Tonstudio Teije van Geest, Heidelberg; Recording Supervision: Richard Hauck.
BWV 8: Recording: Tonstudio Teije van Geest, Heidelberg; Recording Supervision: Richard Hauck.
BWV 27: Recording: TTeije van Geest, Heidelberg; Recording Supervision: Richard Hauck.
BWV 48: Recording: Sonopress Tontechnik, Gütersloh; Recording Supervision: Richard Hauck, Wolfram Wehnert.
Listen on YouTube:
Cantata BWV 8: Complete Cantata [17:15]
Buy this album at:
CD-1 (1992): Amazon.com | Amazon.co.uk | Amazon.de |
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C-52 |
Die Bach Kantate Vol. 52 (Cantatas BWV 148, 114, 96) |
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Cantatas BWV 148 [18:22], BWV 114 [26:46], BWV 96 [20:23] |
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Helmuth Rilling |
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Gächinger Kantorei Stuttgart, Frankfurter Kantorei [BWV 114/1] / Bach-Collegium Stuttgart |
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BWV 148: Alto: Helen Watts; Tenor: Kurt Equiluz
Rob Roy McGregor (Trumpet); Günther Passin, Hedda Rothweiller (Oboe); Dietmar Keller (Oboe da caccia); Kurt Etzold (Bassoon); Albert Boesen (Violin); Helmut Veihelmann (Continuo Cello); Thomas Lom (Double-bass); Hans-Joachim Erhard (Harpsichord, Positive Organ)
BWV 114: Soprano: Gabriele Schnaut; Alto: Julia Hamari; Tenor: Kurt Equiluz; Bass: Wolfgang Schöne
Peter-Lukas Graf (Flute); Günther Passin (Oboe); Hedda Rothweiller (Oboe); Hermann Sauter (Horn) [Mvt. 1]; Johannes Ritzkowsky (Horn) [Mvt. 7]; Hermann Herder (Bassoon) [Mvt. 1]; Kurt Etzold (Bassoon) [Mvts. 5,7]; Jürgen Wolf (Violoncello); Jakoba Hanke (Violoncello) [Mvt. 5]; Manfred Gräser (Double-bass); Harro Bertz (Double-bass) [Mvt. 5]; Martha Schuster (Harpsichord, Positive Organ) [Mvts. 1-4]; Hans-Joachim Erhard (Positive Organ) [Mvts. 5,7]
BWV 96: Soprano: Helen Donath; Alto: Marga Höffgen; Tenor: Adalbert Kraus; Bass: Siegmund Nimsgern
Armin Rosin (Alto Trombone); Peter Thalheimer (Recorder); Peter-Lukas Graf (Flute); Günther Passin (Oboe); Otto Winter (Oboe); Hanspeter Weber (Oboe); Kurt Etzold (Bassoon); Jürgen Wolf (Continuo Cello); Manfred Gräser (Double-bass); Martha Schuster (Harpsichord, Positive Organ) |
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Hänssler 98.814 |
BWV 148: Sep, Dec 1977
BWV 114: Jan-Feb 1974 [Mvts. 1-4,6]; Feb 1981 [Mvts. 5,7]
BWV 96: Mar-Apr 1973 |
CD / TT: 65:31 |
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Recorded at Gedächtniskirche Stuttgart, Baden-Württemberg, Germany.
BWV 148: Recording: Südwest-Tonstudio Stuttgart; Recording Supervision: Richard Hauck; Sound Engineer: Henno Quasthoff.
BWV 114: Recording: Sonopress Tontechnik, Gütersloh [Mvts. 1-4,6], Tonstudio Teije van Geest, Heidelberg [Mvt. 5,7]; Recording Supervision: Richard Hauck.
BWV 96: Recording: Sonopress Tontechnik, Gütersloh; Recording Supervision: Richard Hauck.
Listen on YouTube:
Cantata BWV 148: Complete Cantata [18:24]: Part 1 [10:42] + Part 2 [7:42]
Cantata BWV 114: Complete Cantata [26:57]
Buy this album at:
CD-1 (1996): Amazon.com | Amazon.co.uk | Amazon.de |
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C-53 |
Die Bach Kantate Vol. 53 (Cantatas BWV 47, 149, 169) |
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Cantatas BWV 47 [23:31], BWV 149 [19:06], BWV 169 [23:36] |
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Helmuth Rilling |
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Gächinger Kantorei Stuttgart / Bach-Collegium Stuttgart, Württembergisches Kammerorchester Heilbronn [BWV 169] |
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BWV 47: Soprano: Arleen Augér; Bass: Philippe Huttenlocher
Günther Passin, Nora-Gudrun Spitz (Oboes); Kurt Etzold (Bassoon); Walter Forchert (Violin); Helmut Veihelmann (Continuo Cello); Thomas Lom (Double-bass); Hans-Joachim Erhard (Organ, Positive Organ); Martha Schuster (Harpsichord)
BWV 149: Soprano: Arleen Augér; Alto: Mechthild Georg; Tenor: Aldo Baldin; Bass: Philippe Huttenlocher
Hannes Läubin, Wolfgang Läubin, Bernhard Läubin (Trumpets); Norbert Schmitt (Timpani); Diethelm Jonas, Hedda Rothweiler, Daisuke Mogi (Oboes); Christoph Carl (Bassoon); Stefan Trauer, Jakoba Hanke (Violoncellos); Harro Bertz, Claus Zimmermann (Double-basss); Michael Behringer (Harpsichord); Hans-Joachim Erhard (Harpsichord, Positive Organ)
BWV 169: Alto: Carolyn Watkinson; Hans-Joachim Erhard (Organ) [Mvt. 1]; Michael Behringer (Organ) [Mvts. 3 & 5]
Günther Passin (Oboe); Hedda Rothweiller (Oboe); Dietmar Keller (Oboe da caccia); Albrecht Holder (Bassoon); Hubert Bucberger (Concert-master); Stefan Trauer (Violoncello); Claus Zimmermann (Double-bass); Michael Behringer (Harpsichord, Positive Organ); Heidegard Weinmann (Harpsichord) |
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Hänssler 98.315 |
BWV 47: Feb, Oct 1982
BWV 149: Jun 1983; Feb 1984
BWV 169: Jun 1983 |
CD / TT: 66:13 |
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Recorded at Gedächtniskirche Stuttgart, Baden-Württemberg, Germany.
BWV 47: Recording: Tonstudio Teije van Geest; Recording Supervision: Richard Hauck.
BWV 149: Recording: Tonstudio Teije van Geest, Heidelberg; Recording Supervision: Richard Hauck.
BWV 169: Recording: Tonstudio Teije van Geest; Recording Supervision: Richard Hauck.
Buy this album at:
CD-1 (1996): Amazon.com | Amazon.co.uk | Amazon.de |
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C-54 |
Die Bach Kantate Vol. 54 (Cantatas BWV 5, 162, 180) |
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Cantatas BWV 5 [20:16], BWV 162 [16:36], BWV 180 [23:15] |
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Helmuth Rilling |
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Gächinger Kantorei Stuttgart, Frankfurter Kantorei / Bach-Collegium Stuttgart |
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Soprano: Arleen Augér; Altos: Carolyn Watkinson, Alyce Rogers; Tenors: Aldo Baldin, Kurt Equiluz, Adalbert Kraus; Basses: Wolfgang Schöne, Walter Heldwein
BWV 5: Soprano: Arleen Augér; Alto: Carolyn Watkinson; Tenor: Aldo Baldin; Bass: Wolfgang Schöne
Hans Wolf (Trumpet); Klaus Kärcher, Hedda Rothweiler (Oboes); Kurt Etzold (Bassoon); Christian Hedrich (Viola); Martin Ostertag (Continuo Cello); Thomas Lom (Double-bass); Hans-Joachim Erhard (Harpsichord, Positive Organ)
BWV 162: Soprano: Arleen Augér; Alto: Alyce Rogers; Tenor: Kurt Equiluz; Basses: Wolfgang Schöne
Hermann Sauter (Trumpet); Günther Pfitzenmaier (Bassoon); Jürgen Wolf (Continuo Cello); Thomas Lom (Double-bass); Martha Schuster (Harpsichord); Hans-Joachim Erhard (Positive Organ)
BWV 180: Soprano: Arleen Augér; Alto: Carolyn Watkinson; Tenor: Adalbert Kraus; Bass: Walter Heldwein
Hartmut Strebel, Christina Rettich (Recorders); Peter-Lukas Graf (Flute); Klaus Kärcher (Oboe); Dietmar Keller (Oboe da caccia); August Wenzinger (Violoncello piccolo); Martin Ostertag (Continuo Cello); Thomas Lom (Double-bass); Hans-Joachim Erhard (Harpsichord, Positive Organ) |
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Hänssler 98.816 |
BWV 5: Feb, Oct 1979
BWV 162: Dec 1975; Mar, May 1976
BWV 180: Feb, Oct 1979 |
CD / TT: 60:07 |
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Recorded at Gedächtniskirche Stuttgart, Baden-Württemberg, Germany.
BWV 5: Recording: Tonstudio Teije van Geest, Heidelberg; Recording Supervision: Richard Hauck.
BWV 162: Recording: Südwest-Tonstudio Stuttgart; Recording Supervision: Richard Hauck; Sound Engineer: Henno Quasthoff.
BWV 180: Recording: Tonstudio Teije van Geest, Heidelberg; Recording Supervision: Richard Hauck.
1st recording of Cantata BWV 180 by H. Rilling.
Listen on YouTube:
Cantata BWV 5: Complete Cantata [HD: 20:29] | Complete Cantata [20:17] | Mvt. 1: Chorus [4:03] + Mvt. 2: Recitative [B] [1:15] + Mvt. 3: Aria [T] [5:45] + Mvt. 4: Recitative & Chorale [A] [1:39] + Mvt. 5: Aria [B] [5:50] + Mvt. 6: Recitative [S] [1:10] + Mvt. 7: Chorale [0:53]
Cantata BWV 162: Complete Cantata [16:42]
Buy this album at:
CD-1 (1996): Amazon.com | Amazon.co.uk | Amazon.de |
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C-55 |
Die Bach Kantate Vol. 55 (Cantatas BWV 49, 98, 188) |
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Cantatas BWV 49 [25:50], BWV 98 [14:30], BWV 188 [23:46] |
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Helmuth Rilling |
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Gächinger Kantorei Stuttgart / Bach-Collegium Stuttgart, Württembergisches Kammerorchester Heilbronn |
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BWV 49: Soprano: Arleen Augér; Bass: Philippe Huttenlocher
Martha Schuster (Organ); Günther Passin (Oboe d'amore); Günther Pfitzenmaier (Bassoon); Otto Armin (Concert-master); Siegfried Pank (Violoncello Piccolo); Ansgar Schneider (Violoncello); Harro Bertz (Double-bass); Martha Schuster (Positive Organ); Hans-Joachim Erhard (Harpsichord)
BWV 98: Soprano: Arleen Augér; Alto: Julia Hamari; Tenors Lutz-Michael Harder; Bass: Walter Heldwein
Günther Passin, Hedda Rothweiler (Oboes); Daisuke Mogi (Oboe da caccia); Kurt Etzold (Bassoon); Walter Forchert (Concert-master & Solo Violin); Helmut Veihelmann (Violoncello); Harro Bertz (Double-bass); Martha Schuster (Positive Organ)
BWV 188: Soprano: Arleen Augér; Alto: Julia Hamari; Tenor: Aldo Baldin; Bass: Walter Heldwein
Martha Schuster (Organ obbligato) [BWV 188/1]; Hans-Joachim Erhard (Organ obbligato) [BWV 188/4]; Günther Passin, Hedda Rothweiler (Oboes); Dietmar Keller (Oboe da caccia); Günther Pfitzenmaier (Bassoon); Stefan Trauer (Violoncello); Claus Zimmermann (Double-bass); Michael Behringer (Harpsichord) |
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Hänssler 98.817 |
BWV 49: Oct 1982
BWV 98: Oct 1982; Jul 1983
BWV 188: Jun, Sep 1983 |
CD / TT: 63:03 |
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Recorded at Gedächtniskirche Stuttgart, Baden-Württemberg, Germany.
BWV 49: Recording: Tonstudio Teije van Geest, Heidelberg; Recording Supervision: Richard Hauck.
BWV 98: Recording: Tonstudio Teije van Geest, Heidelberg; Recording Supervision: Richard Hauck.
BWV 188: Recording: Tonstudio Teije van Geest, Heidelberg; Recording Supervision: Richard Hauck.
Buy this album at:
CD-1 (1996): Amazon.com | Amazon.co.uk | Amazon.de
CD-1 (1996): Amazon.co.uk | Amazon.de
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C-56 |
Die Bach Kantate Vol. 56 (Cantatas BWV 109, 38, 89) |
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Cantatas BWV 109 [25:11], BWV 38 [18:4], BWV 89 [12:18] |
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Helmuth Rilling |
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Gächinger Kantorei Stuttgart / Bach-Collegium Stuttgart |
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BWV 109: Alto: Gabriele Schreckenbach; Tenor: Kurt Equiluz
Hermann Sauter (Horn); Otto Winter, Helmuth Koch (Oboes) [Mvt. 1]; Ingo Goritzki, Hedda Rothweiler (Oboes) [Mvts. 5&6]; Hans Mantels (Bassoon) [Mvts. 1]; Klaus Thunemann (Bassoon) [Mvts. 5&6]; Werner Keltsch (Violin); Hannelore Michel (Violoncello) [Mvts. 1-3]; Jakoba Hanke (Violoncello) [Mvts. 4&6]; Martha Schuster (Harpsichord, Positive Organ) [Mvts. 1-3]; Hans-Joachim Erhard (Positive Organ) [Mvts. 4-6]
BWV 38: Soprano: Arleen Augér; Alto: Helen Watts; Tenor: Lutz-Michael Harder; Bass: Philippe Huttenlocher
Bernhard Schmidt (Trumpet); Gerhard Cichos, Hans Kuhner, Hans Rückert (Trombones); Günther Passin, Simon Dent, Hedda Rothweiler (Oboes); Kurt Etzold (Bassoon); Gerhard Mantel (Continuo Cello); Harro Bertz (Double-bass); Hans-Joachim Erhard (Positive Organ)
BWV 89: Soprano: Arleen Augér; Alto: Helen Watts; Bass: Philippe Huttenlocher
Rob Roy McGregor (Trumpet); Günther Passin, Hedda Rothweiller (Oboe); Kurt Etzold (Bassoon); Helmut Veihelmann (Continuo Cello); Thomas Lom (Double-bass); Hans-Joachim Erhard (Harpsichord, Positive Organ); Jürgen Wolf (Continuo Cello); Thomas Lom (Double-bass); Hans-Joachim Erhard (Harpsichord, Positive Organ) |
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Hänssler 98.817 |
BWV 109: Feb 1971 [Mvts. 1-3]; Feb 1981 [Mvts. 4-6]
BWV 38: Feb, Apr 1980
BWV 89: Sep, Dec 1977 |
CD / TT: 56:08 |
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Recorded at Gedächtniskirche Stuttgart, Baden-Württemberg, Germany.
BWV 109: Recording: Sonopress Tontechnik, Gütersloh [Mvts. 1-3]; Recording: Tonstudio Teije van Geest, Heidelberg [Mvts. 4-6]; Recording Supervision: Richard Hauck.
BWV 38: Recording: Tonstudio Teije van Geest, Heidelberg; Recording Supervision: Richard Hauck.
BWV 89: Recording: Südwest-Tonstudio Stuttgart; Recording Supervision: Richard Hauck; Sound Engineer: Henno Quasthoff.
Listen on YouTube:
Cantata BWV 109: Part 1 [8:45] + Part 2 [6:24] + Part 3 [10:07]
Cantata BWV 89: Complete Cantata [12:26]
Buy this album at:
CD-1 (1996): Amazon.com | Amazon.co.uk | Amazon.de |
|
C-57 |
Die Bach Kantate Vol. 57 (Cantatas BWV 80, 115, 55) |
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Cantatas BWV 80 [25:05], BWV 115 [21:19], BWV 55 [13:01] |
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Helmuth Rilling |
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Gächinger Kantorei Stuttgart / Bach-Collegium Stuttgart; Württembergisches Kammerorchester Heilbronn [BWV 80] |
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Soprano: Arleen Augér; Altos: Gabriele Schreckenbach, Helen Watts; Tenors: Lutz-Michael Harder, Adalbert Kraus; Basses: Philippe Huttenlocher, Wolfgang Schöne
BWV 80: Soprano: Arleen Augér; Alto: Gabriele Schreckenbach; Tenor: Lutz-Michael Harder; Bass: Philippe Huttenlocher
Günther Passin (Oboe, Oboe d’amore, Oboe da caccia); Hedda Rothweiler (Oboe, Oboe d’amore); Dietmar Keller (Oboe, Oboe d’amore, Oboe da caccia); Günther Pfitzenmaier (Bassoon); Georg Egger (Violin); Stefan Trauer (Violoncello); Hans Häublein (Violoncello) [Mvt. 4]; Claus Zimmermann (Double-bass); Christian Kabitz (Harpsichord); Franz Schaffner (Organ); Hans-Joachim Erhard (Positive Organ)
BWV 115: Soprano: Arleen Augér; Alto: Helen Watts; Tenor: Lutz-Michael Harder; Bass: Wolfgang Schöne
Bernhard Schmidt (Cornett); Peter-Lukas Graf (Flute); Günther Passin (Oboe, Oboe d’amore); Kurt Etzold (Bassoon); Walter Forchert (Violin); August Wenzinger (Violoncello piccolo); Gerhard Mantel (Continuo Cello); Thomas Lom (Double-bass); Hans-Joachim Erhard (Positive Organ)
BWV 55: Tenor: Adalbert Kraus
Peter-Lukas Graf (Flute); Günther Passin (Oboe, Oboe d’amore); Günther Pfitzenmaier (Bassoon); Rainer Kussmaul (Violin); Yoshiko Okada-Nakura (Violin); Ansgar Schneider (Continuo Cello); Harro Bertz (Double-bass); Hans-Joachim Erhard (Harpsichord, Positive Organ) |
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Hänssler 98.819 |
BWV 80: Sep 1983; Apr 1976 [Mvt. 4]
BWV 115: Feb, Apr 1980
BWV 55: Feb, Oct 1982 |
CD / TT: 59:25 |
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Recorded at Gedächtniskirche, Stuttgart, Baden-Württemberg Germany (all) & & Südwest Tonstudio, Stuttgart, Germany [BWV 80].
BWV 80: : Recording: Tonstudio Teije van Geest; Recording Supervision: Richard Hauck.
2nd recording of Cantata BWV 80 by H. Rilling.
BWV 115: Recording: Tonstudio Teije van Geest; Recording Supervision: Richard Hauck.
BWV 55: Recording: Tonstudio Teije van Geest; Recording Supervision: Richard Hauck.
Listen on YouTube:
Cantata BWV 115: Complete Cantata
Buy this album at:
CD-1 (1995): Amazon.com | Amazon.co.uk | Amazon.de |
|
C-58 |
Die Bach Kantate Vol. 58 (Cantatas BWV 163, 139, 116) |
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Cantatas BWV 163 [16:53], BWV 139 [19:20], BWV 116 [17:57] |
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Helmuth Rilling |
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Gächinger Kantorei Stuttgart / Bach-Collegium Stuttgart |
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BWV 163: Soprano: Arleen Augér; Alto: Helen Watts; Tenor: Adalbert Kraus; Bass: Niklaus Tüller
Hedda Rothweiler (Oboe d'amore); Kurt Etzold (Bassoon); Jürgen Wolf (Continuo Cello); Friedemann Schulz (Violoncello); Johannes Zargrosek (Continuo Cello); Manfred Gräser (Double-bass); Martha Schuster (Harpsichord, Positive Organ); Montserrat Torrent (Positive Organ)
BWV 139: Soprano: Inga Nielsen; Alto: Helen Watts; Tenor: Adalbert Kraus; Bass: Philippe Huttenlocher
Manfred Clement (Oboe d'amore); Hedda Rothweiler (Oboe d’amore); Kurt Etzold (Bassoon); Walter Forchert (Violin); Wilhelm Melcher (Violin); Gerhard Voss (Violin); Peter Buck (Continuo Cello); Hans Häublein (Continuo Cello); Harro Bertz (Double-bass); Hans-Joachim Erhard (Harpsichord, Positive Organ)
BWV 116: Soprano: Arleen Augér; Alto: Helen Watts; Tenor: Lutz-Michael Harder; Bass: Philippe Huttenlocher
Bernhard Schmid (Cornett); Klaus Kärcher, Günther Passin, Hedda Rothweiler (Oboes d'amore); Kurt Etzold (Bassoon); Hans Häublein (Continuo Cello); Peter Nitsche (Double-bass); Hans-Joachim Erhard (Positive Organ) |
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Hänssler 98.820 |
BWV 163: Sep 1976; Jan, Apr 1977
BWV 139: Oct 1979; Apr 1980
BWV 116: Feb, Apr 1980 |
CD / TT: 54:10 |
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Recorded at Gedächtniskirche, Stuttgart, Baden-Württemberg Germany.
BWV 163: Recording: Südwest-Tonstudio Stuttgart; Recording Supervision: Richard Hauck; Sound Engineer: Henno Quasthoff.
BWV 139: Recording: Tonstudio Teije van Geest; Recording Supervision: Richard Hauck.
BWV 116: Recording: Tonstudio Teije van Geest; Recording Supervision: Richard Hauck.
Buy this album at:
CD-1 (1996): Amazon.com | Amazon.co.uk | Amazon.de |
|
C-59 |
Die Bach Kantate Vol. 59 (Cantatas BWV 52, 60, 26, 90) |
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Cantatas BWV 52 [15:02], BWV 60 [17:29], BWV 26 [14:44], BWV 90 [13:05] |
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Helmuth Rilling |
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Gächinger Kantorei Stuttgart / Bach-Collegium Stuttgart |
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BWV 52: Soprano: Arleen Augér
Johannes Ritzkowsky, Friedhelm Pütz (Horns); Günther Passin, Hedda Rothweiler, Dietmar Keller (Oboes); Günther Pfitzenmaier (Bassoon); Hubert Buchberger (Solo Violin I); Elisabeth Buchberger (Solo Violin II); Ansgar Schneider (Violoncello); Harro Bertz (Double-bass); Hans-Joachim Erhard (Harpsichord, Positive Organ)
BWV 60: Alto: Helen Watts; Tenor: Adalbert Kraus; Bass: Philippe Huttenlocher
Johannes Ritzkowsky (Horn); Günther Passin, Allan Vogel (Oboes d'amore); Günther Pfitzenmaier (Bassoon); Walter Forchert (Violin); Hans Häublein (Continuo Cello); Manfred Gräser (Double-bass); ); Hans-Joachim Erhard (Harpsichord, Positive Organ); David Deffner: (Positive Organ)
BWV 26: Soprano: Arleen Augér; Alto: Doris Soffel; Tenor: Adalbert Kraus; Basses: Philippe Huttenlocher
Bernhard Schmid (Cornett); Peter-Lukas Graf (Flute); Klaus Kärcher, Günther Passin, Hedda Rothweiler, Dietmar Keller (Oboes); Kurt Etzold (Bassoon); Wilhelm Melcher (Violin); Martin Ostertag (Continuo Cello); Thomas Lom (Double-bass); Hans-Joachim Erhard (Harpsichord, Positive Organ)
BWV 90: Alto: Helen Watts; Tenor: Adalbert Kraus; Bass: Siegmund Nimsgern
Rob Roy McGregor (Trumpet); Walter Forchert (Violin); Jürgen Wolf (Continuo Cello); Thomas Lom (Double-bass); Hans-Joachim Erhard (Harpsichord, Positive Organ) |
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Hänssler 98.821 |
BWV 52: Oct 1982; Jun 1983
BWV 60: Dec 1977; Jan 1978
BWV 26: Oct 1979; Apr 1980
BWV 90: Dec 1977; Jan 1978 |
CD / TT: 60:20 |
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Recorded at Gedächtniskirche, Stuttgart, Baden-Württemberg Germany.
BWV 52: Recording: Tonstudio Teije van Geest, Heidelberg; Recording Supervision: Richard Hauck.
BWV 60: Recording: Südwest-Tonstudio Stuttgart; Recording Supervision: Richard Hauck; Sound Engineer: Henno Quasthoff.
BWV 26: Recording: Tonstudio Teije van Geest; Recording Supervision: Richard Hauck.
BWV 90: Recording: Südwest-Tonstudio Stuttgart; Recording Supervision: Richard Hauck; Sound Engineer: Henno Quasthoff.
Listen on YouTube:
Cantata BWV 60: Complete Cantata [17:37]
Cantata BWV 26: Mvt. 1: Chorus [2:28] Mvt. 2: Aria [T] [5:26] + Mvt. 3: Recitative [A] [1:00] + Mvt. 4: Aria [B] [4:33] + Mvt. 5: Recitative [S] [0:48] + Mvt. 6: Chorale [0:55]
Cantata BWV 90: Complete Cantata [13:06]
Buy this album at:
CD-1 (1996): Amazon.com | Amazon.co.uk | Amazon.de |
|
C-60 |
Die Bach Kantate Vol. 60 (Cantatas BWV 62, 132, 91) |
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Cantatas BWV 62 [19:34], BWV 132 [21:01], BWV 91 [18:50] |
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Helmuth Rilling |
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Gächinger Kantorei Stuttgart [BWV 61, BWV 91/1,6], Frankfurter Kantorei [BWV 91/2] / Bach-Collegium Stuttgart [BWV 91/4,5], Württembergisches Kammerorchester Heilbronn [BWV 92/1,6] |
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BWV 62: Soprano: Inga Nielsen; Alto: Helen Watts; Tenor: Aldo Baldin; Bass: Philippe Huttenlocher
Bernhard Schmid (Cornett); Klaus Kärcher, Hedda Rothweiler (Oboes); Kurt Etzold (Bassoon); Georg Egger (Violin); Gerhard Mantel (Continuo Cello); Thomas Lom (Double-bass); Hans-Joachim Erhar(Harpsichord, Positive Organ)
BWV 132: Soprano: Arleen Augér; Alto: Helen Watts; Tenor: Kurt Equiluz; Bass: Wolfgang Schöne
Ingo Goritzki (Oboe); Günther Pfitzenmaier (Bassoon); Walter Forchert (Violin); Jürgen Wolf (Continuo Cello); Manfred Gräser (Double-bass); Martha Schuster (Harpsichord); Montserrat Torrent (Positive Organ)
BWV 91: Soprano: Helen Donath; Alto: Helen Watts; Tenor: Adalbert Kraus; Bass: Wolfgang Schöne
Hannes Läubin, Wolfgang Hannes Läubin (Horns); Norbertr Schmitt (Timpani); Günther Passin (Oboe) [BWV 91/1,6]; Otto Winter (Oboe) [BWV 91/3]; Hedda Rothweiler (Oboe) [BWV 91/1]; Thomas Schwartz (Oboe) [BWV 91/3]; Dietmar Keller (Oboe) [BWV 91/1]; Hanspeter Weber (Oboe) [BWV 91/3]; Christoph Carl (Bassoon) [BWV 91/1,6]; Hans Mantels (Bassoon) [BWV 91/3]; Jürgen Wolf (Continuo Cello); Manfred Gräser (Double-bass); ); Hans-Joachim Erhard (Positive Organ) [BWV 91/1,6]; Martha Schuster (Harpsichord, Positive Organ) [BWV 91/2-5] |
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Hänssler 98.821 |
BWV 62: Feb, Apr 1980
BWV 132: Sep 1976; Jan, Apr 1977
BWV 91: Feb 1984 [Mvts. 1,6]; Feb 1972 [Mvts. 2-5] |
CD / TT: 59:25 |
|
Recorded at Gedächtniskirche, Stuttgart, Baden-Württemberg Germany.
BWV 62: Recording: Tonstudio Teije van Geest, Heidelberg; Recording Supervision: Richard Hauck.
BWV 132: Recording: Südwest-Tonstudio, Stuttgart; Recording Supervision: Richard Hauck; Sound Engineer: Henno Quasthoff.
BWV 91: Recording: Tonstudio Teije van Geest [Mvts. 1,6], Heidelberg; Sonopress Tontechnik, Gütersloh [Mvts. 2-5], Recording Supervision: Richard Hauck, Wolfram Wehnert.
Buy this album at:
CD-1 (1996): Amazon.com | Amazon.co.uk | Amazon.de |
|
C-61 |
Die Bach Kantate Vol. 61 (Cantatas BWV 36, 63) |
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Cantatas BWV 36 [28:45], BWV 63 [28:29] |
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Helmuth Rilling |
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Gächinger Kantorei Stuttgart / Bach-Collegium Stuttgart |
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BWV 36: Sopranos: Arleen Augér; Alto: Gabriele Schreckenbach; Tenors Peter Schreier; Bass: Walter Heldwein
Günther Passin (Oboe d'amore); Hedda Rothweiler (Oboe d'amore); Klaus Thunemann (Bassoon); Kurt Etzold (Bassoon); Walter Forchert (Cconcert-master); Jakoba Hanke (Continuo Cello); Thomas Lom (Double-bass); Harro Bertz (Double-bass); Hans-Joachim Erhard (Harpsichord, Positive Organ)
BWV 63: Soprano: Maria Friesenhausen; Altos: Julia Hamari [BWV 63/2], Hildegard Laurich [BWV 63/5]; Tenor: Adalbert Kraus; Bass: Wolfgang Schöne [BWV 63/3,6]
Bernhard Schmid, Georg Rettig, Ludwig Ebner, Josef, Hausberger (Trumpets); Hans Joachim Schacht (Timpani); Diethelm Jonas, Hedda Rothweiler, Dietmar Keller (Oboes); Kurt Etzold (Bassoon); Jakoba Muckel-Hanke (Continuo Cello); Harro Bertz (Double-bass); Martha Schuster (Harpsichord); Hans-Joachim Erhard (Positive Organ) |
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Hänssler 98.823 |
BWV 36: Aug 1980, Feb 1981, Mar 1982
BWV 63: Feb 1971 [Mvts. 4-6]; Feb 1981 [Mvts. 1-3,7] |
CD / TT: 57:14 |
|
Recorded at Gedächtniskirche, Stuttgart, Baden-Württemberg Germany.
BWV 36: Recording: Tonstudio Teije van Geest, Heidelberg; Recording Supervision: Richard Hauck.
BWV 63: Recording: Sonopress Tontechnik, Gütersloh [Mvts. 4-6]; Recording: Tonstudio Teije van Geest, Heidelberg [Mvts. 1-3,7]; Recording Supervision: Richard Hauck, Wolfram Wehnert.
Listen on YouTube:
Cantata BWV 63: Complete Cantata [29:39]
Buy this album at:
CD-1 (1996): Amazon.com | Amazon.co.uk | Amazon.de |
|
C-62 |
Die Bach Kantate Vol. 62 (Cantatas BWV 110, 40, 121) |
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Cantatas BWV 110 [26:33], BWV 40 [17:53], BWV 121 [20:46] |
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Helmuth Rilling |
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Gächinger Kantorei Stuttgart, Figuralchor der Gedächtniskirche Stuttgart / Bach-Collegium Stuttgart |
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BWV 110: Soprano: Kathrin Graf; Alto: Helrun Gardow; Tenor: Aldo Baldin; Bass: Wolfgang Schöne
Hermann Sauter, Eugen Mayer, Heiner Schatz (Trumpets); Karl Schad (Timpani); Peter-Lukas Graf, Martin Wendel, Sibylle Keller-Sanwald (Flutes); Güther Passin (Oboe, Oboe d'amore); Thomas Schwarz, Hedda Rothweiler (Oboes); Hanspeter Weber (Oboe da caccia); Klaus Thunemann (Bassoon); Jürgen Wolf (Continuo Cello); Manfred Gräser (Double-bass); Martha Schuster (Harpsichord, Positive Organ)
BWV 40: Alto: Verena Gohl; Tenor: Adalbert Kraus; Bass:Siegmund Nimsgern
Johannes Ritzkowsky, Willy Rütten (Horns); Otto Winter, Thomas Schwarz (Oboes); Hans Mantels (Bassoon); Hannelore Michel (Continuo Cello); Manfred Gräser (Double-bass); Martha Schuster (Harpsichord, Positive Organ)
BWV 121: Soprano: Arleen Augér; Alto: Doris Soffel; Tenor: Adalbert Kraus; Bass: Wolfgang Schöne
Bernhard Schmid (Trumpet); Gerhard Cichos, Hans Kuhner, Hans Rückert (Trombones); Klaus Kärcher, Günther Passin (Oboes d'amore); Kurt Etzold (Bassoon); Gerhard Mantel (Continuo Cello); Harro Bertz, Thomas Lom (Double-basses); Hans-Joachim Erhard (Harpsichord, Positive Organ) |
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Hänssler 98.824 |
BWV 110: Jan-Feb 1974
BWV 40: Jun-Jul 1970
BWV 121: Feb, Apr 1980 |
CD / TT: 65:12 |
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Recorded at Gedächtniskirche, Stuttgart, Baden-Württemberg Germany.
BWV 110: Recording: Südwest-Tonstudio, Stuttgart; Recording Supervision: Richard Hauck, Friedrich Mauermann.
BWV 40: Recording: Sonopress Tontechnik Gütersloh; Recording Supervision: Richard Hauck, Wolfram Wehnert.
BWV 121: Recording: Tonstudio Teije van Geest, Heidelberg; Recording Supervision: Richard Hauck.
Buy this album at:
CD-1 (1996): Amazon.com | Amazon.co.uk | Amazon.de |
|
C-63 |
Die Bach Kantate Vol. 63 (BWV 57, 64, 151) |
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Cantatas BWV 57 [27:14], BWV 64 [20:49], BWV 151 [18:09] |
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Helmuth Rilling |
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Gächinger Kantorei Stuttgart, Frankfurter Kantorei / Bach-Collegium Stuttgart |
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BWV 57: Soprano: Arleen Augér; Bass: Walter Heldwein
Fumiaki Miyamoto (Oboe); Hedda Rothweiler (Oboe); Dietmar Keller (Oboe da caccia); Kurt Etzold (Bassoon); Walter Forchert (Concert-master); Barbara Haupt-Brauckmann (Continuo Cello); Thomas Lom (Double-bass); Hans-Joachim Erhard (Harpsichord, Positive Organ)
BWV 64: Soprano: Arleen Augér; Alto: Ann Murray; Basses: Philippe Huttenlocher
Günther Passin (Oboe d'amore); Walter Forchert (Violin); Reinhard Werner (Continuo Cello); Thomas Lom (Double-bass); Hans-Joachim Erhard (Positive Organ)
BWV 151: Soprano: Nobuko Gamo-Yamamoto; Alto: Hildegard Laurich; Tenor: Adalbert Kraus; Bass: Hanns-Friedrich Kunz
Peter-Lukas Graf (Flute); Ingo Goritzki (Oboe d'amore); Hannelore Michel (Continuo Cello); Manfred Gräser (Double-bass); Martha Schuster (Harpsichord, Positive Organ) |
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Hänssler 98.825 |
BWV 57: Nov 1981; Feb 1982
BWV 64/1-4,6-8: Jan 1978; BWV 64/5: Mar 1981
BWV 151: Feb 1971 |
CD / TT: 66:12 |
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Recorded at Gedächtniskirche, Stuttgart, Baden-Württemberg Germany.
BWV 57: Recording: Tonstudio Teije van Geest; Recording Supervision: Richard Hauck.
BWV 64/1-4,6-8: Recording: Südwest-Tonstudio Stuttgart; Recording Supervision: Richard Hauck; Sound Engineer: Henno Quasthoff. BWV 64/5: Recording: Tonstudio Teije van Geest; Recording Supervision: Richard Hauck.
BWV 151: Recording: Sonopress Tontechnik, Gütersloh; Recording Supervision: Richard Hauck, Wolfram Wehnert.
Listen on YouTube:
Cantata BWV 151: Mvt. 1: Aria [S] [3:57]
Buy this album at:
CD-1 (1996): Amazon.com | Amazon.co.uk | Amazon.de |
|
C-64 |
Die Bach Kantate Vol. 64 (Cantatas BWV 133, 152, 122) |
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Cantatas BWV 133 [20:25], BWV 152 [18:45], BWV 122 [16:30] |
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Helmuth Rilling |
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Gächinger Kantorei Stuttgart, Frankfurter Kantorei / Bach-Collegium Stuttgart |
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BWV 133: Soprano: Arleen Augér; Alto: Doris Soffel; Tenor: Aldo Baldin; Bass: Philippe Huttenlocher
Bernhard Schmid (Horn); Klaus Kärcher, Günther Passin, Hedda Rothweiler (Oboes d'amore); Kurt Etzold (Bassoon); Hubert Buchberger (Violin); Hans Häublein (Continuo Cello); Albert Michael Locher (Double-bass); Hans-Joachim Erhard (Harpsichord, Positive Organ)
BWV 152: Soprano: Arleen Augér; Bass: Wolfgang Schöne
Helmuth Strebel (Recorder); Günther Passin (Oboe); Adelheid Souchay (Viola d'amore); Alfred Lessinbg (Viola da gamba); Friedemann Schulz (Continuo Cello); Thomas Lom (Double-bass); Martha Schuster (Harpsichord)
BWV 122: Soprano: Helen Donath; Alto: Helen Watts; Tenor: Adalbert Kraus; Bass: Niklaus Tüller
Peter Thalheimer, Christine Thalheimer, Verena Herb (Recorders); Otto Winter, Thomas Schwartz (Oboes); Hanspeter Weber (Oboe da caccia); Hans Mantels (Bassoon); Jürgen Wolf (Continuo Cello); Manfred Gräser (Double-bass); Martha Schuster (Harpsichord, Positive Organ) |
|
Hänssler 98.826 |
BWV 133: Feb, Apr 1980
BWV 152: Mar-Apr 1976
BWV 122: Feb 1972 |
CD / TT: 55:40 |
|
Recorded at Gedächtniskirche Stuttgart, Baden-Württemberg, Germany.
BWV 133: Recording: Tonstudio Teije van Geest; Recording Supervision: Richard Hauck.
BWV 152: Recording: Südwest-Tonstudio Stuttgart; Recording Supervision: Richard Hauck; Sound Engineer: Henno Quasthoff.
BWV 122: Recording: Sonopress Tontechnik Gütersloh; Recording Supervision: Richard Hauck, Wolfram Wehnert.
Buy this album at:
CD-1 (1992): Amazon.com | Amazon.co.uk | Amazon.de |
|
C-65 |
Die Bach Kantate Vol. 65 (Cantatas BWV 28, 194) |
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Cantatas BWV 28 [16:48], BWV 194 [47:12] |
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Helmuth Rilling |
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Gächinger Kantorei Stuttgart / Bach-Collegium Stuttgart |
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BWV 28: Soprano: Arleen Augér; Alto: Gabriele Schreckenbach; Tenor: Adalbert Kraus; Bass: Walter Heldwein
Peter Send (Horn); Jan Swails (Alto Trombone); Manfred Eichhorst (Tenor Trombone); Hans Rückert (Bass Trombone); Fumiaki Miyamoto (Oboe); Diethelm Jonas (Oboe); Hedda Rothweiler (Oboe); Dietmar Keller (Oboe da caccia); Kurt Etzold (Bassoon); Martin Ostertag (Continuo Cello); Harro Bertz (Double-bass); Hans-Joachim Erhard (Harpsichord, Positive Organ)
BWV 194: Soprano: Judith Beckmann; Tenor: Adalbert Kraus; Bass: Walter Heldwein
Hansjörg Schellenberger, Hedda Rothweiler, Dietmar Keller (Oboes); Günther Pfitzenmaier (Bassoon); Albert Boesen (Violin); Jürgen Wolf (Continuo Cello); Harro Bertz (Double-bass); Martha Schuster (Harpsichord); Montserrat Torrent (Positive Organ) |
|
Hänssler 98.828 |
BWV 28: Nov 1981; Feb
BWV 194: Sep 1976; Jan 1977 |
CD / TT: 64:00 |
|
Recorded at Gedächtniskirche Stuttgart, Baden-Württemberg, Germany.
BWV 28: Recording: Tonstudio Teije van Geest, Heidelberg; Recording Supervision: Richard Hauck.
BWV 194: Recording: Südwest-Tonstudio Stuttgart; Recording Supervision: Richard Hauck; Sound Engineer: Henno Quasthoff.
Buy this album at:
CD-1 (1995): Amazon.com | Amazon.co.uk | Amazon.de |
|
C-66 |
Die Bach Kantate Vol. 66 (Cantatas BWV 119, 196, 197) |
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Cantatas BWV 119 [25:10], BWV 196 [12:40], BWV 197 [26:35] |
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Helmuth Rilling |
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Gächinger Kantorei Stuttgart / Bach-Collegium Stuttgart, Württembergisches Kammerorchester Heilbronn [BWV 197] |
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BWV 119: Soprano: Arleen Augér; Alto: Ann Murray; Tenors: Adalbert Kraus; Basses: Wolfgang Schöne
Bernhard Schmidt, Georg Rettig, Josef Hausberger, Ivo Preis (Trumpets); Karl Schad (Timpani); Hartmut Strebel, Barbara Schlenker (Recorders); Allan Vogel (Oboe), Hedda Rothweiler, Dietmar Keller (Oboes, Oboes da caccia); Paul Gerhard Leihenseder (Bassoon); Hans Häublein (Continuo Cello); Manfred Gräser (Double-bass); Hans-Joachim Erhard (Harpsichord, Positive Organ)
BWV 196: Soprano: Doris Soffel; Tenor: Aldo Baldin; Bass: Niklaus Tüller
Albert Boesen (Violin); Jürgen Wolf (Continuo Cello); Manfred Gräser (Double-bass); Martha Schuster (Harpsichord); Joachim Eichhorn (Positive Organ)
BWV 197: Soprano: Costanza Cuccaro; Alto: Mechthild Georg; Bass: Philippe Huttenlocher
Hannes Läubin, Wolfgang Läubin, Hans Läubin (Trumpets); Norbert Schmitt (Timpani); Günther Passin, Hedda Rothweiler (Oboes, Oboes d'amore); Christoph Carl, Klaus Thunemann (Bassoons); Georg Egger, Radboud Oomens (Violins); Stefan Trauer (Violoncello); Claus Zimmermann (Double-bass); Hans-Joachim Erhard (Harpsichord); Martha Schuster (Harpsichord) |
|
Hänssler 98.828 |
BWV 119: Sep, Dec 1977; Jan 1978
BWV 196: Jan 1975
BWV 197: Feb 1984 |
CD / TT: 64:25 |
|
Recorded at Gedächtniskirche Stuttgart, Baden-Württemberg, Germany.
BWV 119: Recording: Südwest-Tonstudio Stuttgart; Recording Supervision: Richard Hauck.
BWV 196: Recording: Südwest-Tonstudio Stuttgart; Recording Supervision: Richard Hauck; Sound Engineer: Henno Quasthoff.
BWV 197: Recording: Tonstudio Teije van Geest, Heidelberg; Recording Supervision: Richard Hauck.
Buy this album at:
CD-1 (1993): Amazon.com | Amazon.co.uk | Amazon.de |
|
C-67 |
Die Bach Kantate Vol. 67 (Cantatas BWV 193, 120, 69) |
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Cantatas BWV 193, reconstruction by Reinhold Kubik [20:45], BWV 120 [22:20], BWV 69 [20:50] |
|
Helmuth Rilling |
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Gächinger Kantorei Stuttgart / Bach-Collegium Stuttgart |
|
Soprano: Arleen Augér; Alto: Julia Hamari; Tenor: Adalbert Kraus;
BWV 193: Sopranos: Arleen Augér; Alto: Julia Hamari
Hannes Laubin, Bernhard Laubin, Wolfgang Laubin (Trumpets); Norbert Schmitt (Timpani); Günther Passin (Oboe, Oboe d'amore); Diethelm Jonas, Hedda Rothweiler (Oboes); Rainer Schottstadt (Bassoon); Susanne Müller-Hornbach (Cello); Harro Bertz (Double-bass); Michael Behringer (Harpsichord); Hans-Joachim Erhard (Positive Organ)
BWV 120: Soprano: Helen Donath; Alto: Hildegard Laurich; Tenor: Adalbert Kraus; Bass: Wolfgang Schöne
Hermann Sauter, Eugen Mayer, Heiner Schatz (Trumpets); Karl Schad (Timpani); Otto Winter, Hedda Rothweiler (Oboes d'amore); Kurt Etzold (Bassoon); Werner Keltsch (Violin); Jürgen Wolf (Continuo Cello); Manfred Gräser (Double-bass); Martha Schuster (Harpsichord, Positive Organ)
BWV 69: Soprano: Helen Donath; Alto: Julia Hamari; Tenor: Adalbert Kraus; Bass: Wolfgang Schöne
Bernhard Schmidt, Siegfried Götthel, Roland Burckhardt (Trumpets); Norbert Schmitt (Timpani); Günther Passin (Oboe, Oboe d'amore); Hedda Rothweiler, Dietmar Keller (Oboes); Günther Pfitzenmaier (Bassoon); Walter Forchert (Violin); Martin Ostertag, Jürgen Wolf (Continuo Cello); Manfred Gräser (Double-bass); Martha Schuster, Hans-Joachim Erhard [Mvts. 1&3] (Harpsichord, Positive Organ) |
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Hänssler 98.829 |
BWV 193: Jul 1983
BWV 120: Mar-Apr 1973
BWV 69: Apr 1982 [Mvts. 1&3]; Apr 1973 [Mvts. 2, 4-6] |
CD / TT: 63:55 |
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Recorded at Gedächtniskirche Stuttgart, Baden-Württemberg, Germany.
BWV 193: Recording: Tonstudio Teije van Geest, Heidelberg; Recording Supervision: Richard Hauck.
BWV 120: Recording: Sonopress Tontechnik, Gütersloh; Recording Supervision: Richard Hauck, Wolfram Wehnert.
BWV 69: Recording: Tonstudio Teije van Geest, Heidelberg [Mvts. 1&3]; Sonopress Tontechnik, Gütersloh [Mvts. 2, 4-6]; Recording Supervision: Richard Hauck.
Buy this album at:
CD-1 (1996): Amazon.com | Amazo.co.uk | Amazon.de |
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C-68 |
Die Bach Kantate Vol. 68 (Cantatas BWV 106, 198) |
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Cantatas BWV 106 [21:45], BWV 198 [35:20] |
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Helmuth Rilling |
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Gächinger Kantorei Stuttgart / Bach-Collegium Stuttgart [BWV 106], Württembergisches Kammerorchester Heilbronn [BWV 198] |
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BWV 106: Soprano: Eva Csapó; Alto: Hanna Schwarz; Tenor: Adalbert Kraus; Bass: Wolfgang Schöne
Peter Thalheimer, Hella Karpa (Recorders); Alfred Lessing, Heinrich Haferland (Violas da gamba); Jürgen Wolf (Continuo Cello); Thomas Lom (Double-bass); Martha Schuster (Harpsichord, Positive Organ); Joachim Eichhorn (Positive Organ)
BWV 198: Soprano: Arleen Augér; Alto: Gabriele Schreckenbach; Tenor: Aldo Baldin; Bass: Philippe Huttenlocher
Sibylle Keller-Sanwald, Wiltrud Böckheler (Flutes); Günther Passin, Hedda Rothweiler (Oboes d'amore); Günther Pfitzenmaier (Bassoon); Georg Egger, Radboud Oomens (Violins); Siegfried Pank, Ulrich Walter (Violas da gamba); Stefan Trauer (Cello); Claus Zimmermann (Double-bass); Konrad Junghänel (Lute); Hans-Joachim Erhard (Positive Organ) |
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Hänssler 98.830 |
BWV 106: Jan 1975
BWV 198: Sep 1983 |
CD / TT: 57:05 |
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Recorded at Gedächtniskirche Stuttgart, Baden-Württemberg, Germany.
BWV 106: Recording: Südwest-Tonstudio Stuttgart; Recording Supervision: Richard Hauck; Sound Engineer: Henno Quasthoff.
BWV 198: Recording: Tonstudio Teije van Geest, Heidelberg; Recording Supervision: Richard Hauck.
Buy this album at:
CD-1 (1996): Amazon.com | Amazon.co.uk | Amazon.de |
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C-69 |
Die Bach Kantate Vol. 69 (Cantatas BWV 157, 150, 97) |
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Cantatas BWV 157 [19:80], BWV 150 [14:55], BWV 97 [29:50] |
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Helmuth Rilling |
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Gächinger Kantorei Stuttgart / Bach-Collegium Stuttgart |
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BWV 157: Tenor: Adalbert Kraus; Bass: Philippe Huttenlocher
Renate Greiß (Flute); Günther Passin (Oboe d'amore); Enrique Santiago (Viola d'amore); Ansgar Schneider (Violoncello); Harro Bertz (Double-bass); Hans-Joachim Erhard (Positive Organ)
BWV 150: Soprano: Magdalene Schreiber; Alto: Margret Jetter; Tenor: Peter Maus; Basses: Hanns-Friedrich Kunz
Hannelore Michel (Continuo Cello); Hans Mantels (Bassoon); Hans Mantels (Bassoon); Martha Schuster (Harpsichord, Positive Organ)
BWV 97: Soprano: Helen Donath; Alto: Helrun Gardow; Tenor: Adalbert Kraus; Bass: Philippe Huttenlocher
Günther Passin, Thomas Schwartz (Oboes); Klaus Thunemann (Bassoon); Albert Boesen (Violin); Jürgen Wolf (Continuo Cello); Manfred Gräser (Double-bass); Martha Schuster (Harpsichord, Positive Organ) |
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Hänssler 98.835 |
BWV 157: Oct 1982; Jul 1983
BWV 150: Jun, Jul 1970
BWV 97: Jan-Feb 1974 |
CD / TT: 63:45 |
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Recorded at Gedächtniskirche Stuttgart, Baden-Württemberg, Germany.
BWV 157: Recording: Tonstudio Teije van Geest, Heidelberg; Recording Supervision: Richard Hauck.
BWV 150: Recording: Sonopress Tontechnik, Gütersloh; Recording Supervision: Richard Hauck, Wolfram Wehnert.
1st recording of Cantata BWV 150 by H. Rilling.
BWV 97: Recording: Südwest-Tonstudio Stuttgart; Recording Supervision: Richard Hauck, Friedrich Mauermann.
Buy this album at:
CD-1 (1993): Amazon.com | Amazon.co.uk | Amazon.de |
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The list of recordings was compiled by Aryeh Oron (November 2000 - October 2025)
Thanks to contributors: Rainer Harald (October 2025) |
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