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Dale Higbee (Music Director, Recorder)
Publications

“The Recorder: A Serious Musical Instrument.”
Woodwind World, II/8 (Nov. 1958), 4.

The Galpin Society Journal: Index to Nos. I-V, (1960), 27 pp.

“On Holding the Recorder.”
Woodwind World, IV/1 (June 1, 1961), 4.

“Bach’s “Fiauti d’echo.’”
Music & Letters, 43, No. 2 (April 1962), 192-193.

“A Plea for the Tenor Recorder by Thomas Stanesby, Jr..”
Galpin Society Journal, 15 (1962): 55-59.

“Third-Octave Fingerings in Eighteenth-Century Recorder Charts.”
Galpin Society Journal, 15 (1962): 97-99.

“The Dolmetsch Foundation, The Consort, and the Recorder.”
The American Recorder, III/3, August 1962, 21.

“Michel Corrette on the Piccolo and Speculations Regarding Vivaldi’s ‘Flautino.’”
Galpin Society Journal, 17 (1964): 115-116.

“Francis W. Galpin: Recorder Player.”
The American Recorder, 5, No. 4 (November 1964), 9-11.

“The Recorder and Its Literature.”
Music Journal, 23 (April 1965): 56-57.

“The Etymology of ‘Recorder.’”
Galpin Society Journal, 18 (1965)

“The Galpin Society, Its Journal and the Recorder.”
The American Recorder, VI/4, Fall 1965, 9-10.

“Telemann’s Table Music on Records.”
The American Recorder, VIII/3, Summer, 1968, 77-79.

“J. S. Bach’s music for recorder on records. Part I: the Brandenburg concerti. BWV1046-1051.”
The American Recorder, IX/4 (Fall1968), 116-23. Discography.

“Notes on Hindemith’s Trio for recorders.”
The American Recorder, X/2 (Spring 1969), 39. Discography.

Bio and photograph of Dale Higbee.
The American Recorder, XI/3 (Summer, 1970), 94.

“The recorder and the Galpin Society Journal.”
The American Recorder, XIV/2 (May 1973), 50-51.

William Lichtenwanger, Dale Higbee, Cynthia Adams Hoover, & Phillip T. Young
A Survey of Musical Instrument Collections in the United States and Canada.
Ann Arbor, Michigan: Music Library Association, 1974. xi & 135 pp. ISBN 0-914954-00-8

“Further thoughts on offset G keys on the flute.”
Woodwind World-Brass & Percussion, XV/5 (Nov.-Dec., 1975), 52.

“Alternate Instrumentation in Bach’s Second Brandenburg Concerto.”
The American Recorder, l8, No. 1 (May 1977): 11.

“The Baroque Flute (Traverso) on Records.”
National Flute Association Newsletter, 2, No. 4 (August 1977), l0, 20.

“J. S. Bach’s Sonatas for Recorder and Harpsichord after BWV 525-530.”
The American Recorder, 18, No. 4 (November 1978): 112-113.

“Baroque Flute Discography.”
Early Music, 7, No. 2 (April 1979), 250-253.

“Josef Marx, Oboist and Musician Extraordinaire, 1913-1978 - An Appreciation.”
The American Recorder, 20, No. 1 (May 1979), 16-18.

“Christopher Welch, Flute and Recorder Historian.”
The American Recorder, 20, No. 2 (August 1979), 64-66.

“Addendum to ‘Christopher Welch, Flute and Recorder Historian.’”
The American Recorder, 20, No. 4 (February 1980), 173.

“When ‘English Flute’ means English Flageolet, not Recorder.”
The Consort, 40 (1984), 45-46.

“On Playing Recorders in D: Being a Short History of the Odd-Sized Recorders and Concerning the Revival of the Voice Flute & Sixth Flute.”
The American Recorder, 26, No. 1 (February 1985), 16-21.

“A Left-Handed ‘Voice Flute’ by Bressan.”
Galpin Society Journal, 38 (April 1985), 143.

“Bach’s Fiauti d’Echo.”
Galpin Society Journal, 39 (1986), 133.

“Pipes and Strings: SEHKS Seventh Annual Conclave.”
Southeastern Historical Keyboard Society Newsletter 7, No. 2 (Spring 1987), 1, 5.

“Recorders in Bach Cantata BWV 161, Komm, du süsse Todesstunde.”
Journal of the American Musical Instrument Society, 17 (1991), 83-84.

“Recorders at the San Antonio Early Music Festival.”
American Recorder, 33, No. 3 (September 1992), 6-7.

“Instrumental Doubling in J. S. Bach’s Orchestral Suite No. 2 in B minor, BWV 1067.”
Continuo: The Magazine of Old Music, 21, No. 2 (1997), 7-8.

“On Playing the Baroque Treble Recorder in G Today.”
Galpin Society Journal, 52 (1999), 387-388.

“Glanville-Hicks Sonatina, A Neglected Gem in the Recorder Repertoire.”
The Recorder Magazine, 25, No. 4 (Winter 2005), 119-120.

Letter to the Editor: “Edgar Hunt.”
The Recorder Magazine, 26/2 (Summer 2006), 72.

"Performing Bach’s B-Minor Flute Suite, BWV 1067".
BACH NOTES: The Newsletter of the American Bach Society, No. 7 (Spring 2007), 16.

Dale Higbee: “Fred Morgan – An Appreciation.” (p. 111)
"Recorders Based on Historical Models: Fred Morgan – Writings and Memories".
Compiled by Gisele Rothe on behalf of Mollenhauer Recorders and the Frederick Morgan Workshop.
Mollenhauer Verlag, Weichselstrasse 27, D-36043 Fulda, Germany, 2007, 205 pp.
ISBN 987-3-00-O21215-4

"On Playing the 3rd Flute & 4th Flute (Recorders in a’ & b’ flat")
The Recorder Magazine, 27/3 (Autumn 2007), 91.

"Essentials for a Fulfilling Life"

"Alfred Mann: America's First Recorder Virtuoso." BACH NOTES, The Newsletter of the American Bach Society, No. 18, Spring 2013, pp. 7-9. (www.americanbachsociety)

Dale Higbee served as Book and Record Review Editor of The American Recorder 1967-1989, and wrote several hundred book, record and music reviews (indexed in RILM Abstracts of Music Literature) in The American Recorder, Journal of the American Musical Instrument Society, Newsletter of the American Instrument Society, MLA Notes, and Woodwind World..

Back to Short Biography

Source: The Artist (December 2003, August 2006, September 2007, October 2008, June 2013)
Contributed by
Dale Higbee (December 2003,August 2006, September 2007, October 2008, June 2013)

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Last update: ýJune 19, 2013 ý20:15:41