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Johann Sebastian Bach Pages at the Teri Noel Towe Home Pages


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Johann Sebastian Bach ca. 1733, ca. 1741, 1746, 1747, 1748, and 1750


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Johann Sebastian Bach


This remarkable photograph is not a computer generated composite; the original of the Weydenhammer Portrait Fragment, all that remains of the portrait of Johann Sebastian Bach that belonged to his pupil Johann Christian Kittel, is resting gently on the surface of the original of the 1748 Elias Gottlob Haussmann Portrait of Johann Sebastian Bach.

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1748 Elias Gottlob Haussmann Portrait, Courtesy of William H. Scheide, Princeton, New Jersey
Weydenhammer Portrait Fragment, ca. 1733, Artist Unknown, Courtesy of the Weydenhammer Descendants
Photograph by Teri Noel Towe
©Teri Noel Towe, 2001, All Rights Reserved



The Face Of Bach - A Website Devoted to the Portraits of Johann Sebastian Bach

A Previously Unknown Portrait From Life of Johann Sebastian Bach - The Search for the Long Lost Portrait That Belonged to Johann Christian Kittel

My 1997 Page on the Bach Portraits - Now A Historical Document Because It is The Page That Led To The Discovery Of The Weydenhammer Portrait Fragment

The Critical Discographies of Three Major Sacred Works of Sebastian Bach Included in Choral Music On Records

Present Day Misconceptions About Bach Performance Practice in the Nineteenth Century - The Evidence of the Recordings

Rebuilding the Frauenkirche in Dresden

Sebastian Bach's Handwriting

The Curious History of an Exile from the Thomasschule: Some Observations on the Provenance of the Original Figured Organ Player's Part to Christ unser Herr zum Jordan kam, BWV 7

Giacomo Meyerbeer's Letter About the 2nd "Brandenburg" Concerto

Some Early Printed Editions

Recommended Recordings

Cartoons and Caricatures

Links - Bach and Non-Bach


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Johann Sebastian Bach ca. 1733, ca. 1741, 1746, 1747, 1748, and 1750


J.S. Bach Web Ring
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teritowe@alumni.Princeton.EDU


Copyright, Teri Noel Towe, 1997, 2000, 2001
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The Website of Teri Noel Towe's J.S. Bach Pages
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Johann Sebastian Bach's signature


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