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"Gott sei gelobet und gebenedeiet" (God be praised and blessed) is a Lutheran hymn of 1524 with words written by Martin Luther who used an older first stanza and melody. It is a song of thanks after communion. M. Luther's version in three stanzas was printed in the Erfurt Enchiridion of 1524 (No. 7) and in Johann Walter's choral hymnal Eyn geystlich Gesangk Buchleyn the same year. Today, the song appears in German hymnals, including both the Protestant Evangelisches Gesangbuch (EG 214), and in a different version in the Catholic Gotteslob (GL 215).
Text and melody are based on a Leise, a German congregational refrain ending on Kyrie eleison, of the Latin sequence Lauda Sion for Corpus Christi (see explanation of Leise in the CM page: Christ ist erstanden). M. Luther knew it in a version which first appeared at the end of the 14th century in a processional from the Franciscan monastery Miltenberg, made in Mainz, at the end of the 14th century:
God siy gelobbet und gebenedyet
der uns alle hait gespysse
mydt synem fleysch, undt synem blude,
das gibbe unß lieber herre got zu gude
das heylge sacramente
an unßerm lesten ende
uß des gewyten priesters hende.
Kyrie eleyson.
O herre dorc dynen heilgen fronlychnam,
der von dyner mutter marien quam,
und das heilige bludt
nu hilff unß herre uß aller unßir noydt.
Kyrie eleyson.
M. Luther praised the Leise in his writing Von der Winkelmesse und Pfaffenweihe in 1533, appreciating that it is focused on the sacrament of bread and wine, not on sacrifice. He made it a song of thanks after communion, by shortening the text for a first stanza, and by adding two stanzas. The second stanza mentions the anamnesis of the gifts of redemption, the third stanza is a prayer for spiritual fruits of the sacrament for the individual life of the Christian, and for the community.
M. Luther's version appeared in the Erfurt Enchiridion of 1524 and in J. Walter's choral hymnal Eyn geystlich Gesangk Buchleyn the same year. In the current German hymnal Evangelisches Gesangbuch, it appears as EG 214.
J. Walter published a four-part setting of the melody in Eyn geystlich Gesangk Buchleyn in 1524. J.S. Bach composed a four-part setting, BWV 322.
M. Luther's first stanza, including his redaction, appeared in a Catholic hymnal by the Dominican Michael Vehe, New Gesangbüchlin Geistlicher Lieder, in Halle (Saale) in 1537. In this hymnal, the song is continued by four more stanzas which are attributed to Caspar Querhammer. This version entered several subsequent hymnals.
In the 20th century, a new version appeared in hymnals such as Kirchenlied, which took M. Luther's first stanza unchanged, but the second half of his second and third stanza replaced each time by the second half of the first, as a refrain. At first, M. Luther's name was not mentioned, instead only "16th century". This version was included in the first common Catholic hymnal Gotteslob of 1975 (as GL 494), now mentioning M. Luther's name, and was kept in the following edition, Gotteslob, as GL 215.
Source: Gott sei gelobet und gebenedeiet (Wikipedia) (January 31, 2018) |
