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Recordings & Discussions of Other Vocal Works: Main Page | Motets BWV 225-231 | Mass in B minor BWV 232 | Missae Breves & Sanctus BWV 233-242 | Magnificat BWV 243 | Matthäus-Passion BWV 244 | Johannes-Passion BWV 245 | Lukas-Passion BWV 246 | Markus-Passion BWV 247 | Weihnachts-Oratorium BWV 248 | Oster-Oratorium BWV 249 | Chorales BWV 250-438 | Geistliche Lieder BWV 439-507 | AMN BWV 508-523 | Quodlibet BWV 524 | Aria BWV 1127 | Motet BWV 1165=Anh 159

Mass in B minor BWV 232

Conducted by Peter Schreier

Recordings


V-1

Mass in B minor BWV 232


Peter Schreier

Rundfunkchor Leipzig (Chorus Master: Jörg-Peter Weigle) / Neues Bachisches Collegium Musicum

Soprano: Lucia Popp; Alto: Carolyn Watkinson; Tenor: Eberhard Büchner; Baritone [No. 18]: Siegfried Lorenz; Bass [No. 10]: Theo Adam

Eurosisc / Leipzig Classics

Nov 1981; Feb 1982

2-CD / TT: 110:01

1st recording of Mass in B minor by P. Schreier


V-2

Mass in B minor BWV 232

Peter Schreier

Rundfunkchor Leipzig (Chorus Master: Gert Frischmuth) / Staatskapelle Dresden

Soprano: Arleen Augér, Mezzo-soprano: Ann Murray, Contralto: Marjana Lipovšek, Tenor: Peter Schreier, Bass: Anton Scharinger

Philips

Jan 1991

2-CD / TT: 105:49

2nd recording of Mass in B minor by P. Schreier

Solti's & Schreier's recordings of the B-minor mass

Dougie Sospiro wrote (October 17, 2001):
I've been hearing mixed things about the Solti & Schreier recordings of the B-minor. Considering that I'm looking for a rendition which takes tempi somewhat similar to the overall quicker HIP trend [that is an overgeneralization, I know] but in modern pitch, these seems to be the answer at least for now... Still unable to track down either of the Schreiers. Opinions on any of these recordings would be more than welcome!

Bob Sherman wrote (October 17, 2001):
[To Dougie Sospiro] While I prefer modern pitch and instruments, I'm not fond of the Solti. Chorus too big and diffuse, soloists not distinguished. Richter is terrific, particularly the earlier one with Maria Stader, but his trumpets are too loud and brash. My overall favorite is Marriner, although most commentators seem to disagree with me on that.

William D. Kasimer wrote (October 17, 2001):
[To Dougie Sospiro] I've not heard either of these. I've disliked Solti in nearly everything I've ever heard other than Mahler, where he's merely tolerable; I've always shied away from Schreier's recordings because he uses soloists I generally find unattractive.

You might, though, wish to try the recent Rilling on Hänssler, which ought to meet your requirements.

Michael Grover wrote (October 17, 2001):

[To William D. Kasimer] This is way off-topic, but I have Solti's Zauberflöte with the Vienna Philharmonic (from the 90's; he actually recorded it twice in his career) and think it's wonderful.

Santu de Silva wrote (October 17, 2001):
< Bill Casimir says: "... I've always shied away from Schreier's recordings because he uses soloists I generally find unattractive." >
I love Wencesclava Hruba-Frieburger singing BWV 199 with Schreier conducting. She's almost the best I've got, and I've got 10 versions of this.



Mass in B minor BWV 232: Details
Complete Recordings: 1900-1949 | 1950-1959 | 1960-1969 | 1970-1979 | 1980-1989 | 1990-1999 | 2000-2009 | 2010-2019 | 2020-2029
Recordings of Individual Movements: 1900-1949 | 1950-1959 | 1960-1969 | 1970-1979 | 1980-1989 | 1990-1999 | 2000-2009 | 2010-2019 | 2020-2029
General Discussions: Part 1 | Part 2 | Part 3 | Part 4 | Part 5 | Part 6 | Part 7 | Part 8 | Part 9 | Part 10 | Part 11 | Part 12 | Part 13 | Part 14 | Part 15 | Part 16 | Part 17 | Part 18 | Part 19
Systematic Discussions: Part 1: Kyrie | Part 2: Gloria | Part 3: Credo | Part 4: Sanctus | Part 5: Agnus Dei | Part 6: Early Recordings | Part 7: Summary
Individual Recordings: BWV 232 - C. Abbado | BWV 232 - Anonymous | BWV 232 - G.C. Biller | BWV 232 - F. Brüggen | BWV 232 - J. Butt | BWV 232 - S. Celibidache | BWV 232 - M. Corboz | BWV 232 - A. Eby | BWV 232 - G. Enescu | BWV 232 - E. Ericson | BWV 232 - D. Fasolis | BWV 232 - J.E. Gardiner | BWV 232 - C.M. Giulini | BWV 232 - N. Harnoncourt | BWV 232 - T. Hengelbrock | BWV 232 - P. Herreweghe | BWV 232 - R. Hickox | BWV 232 - R. Jacobs | BWV 232 - E. Jochum | BWV 232 - Ifor Jones | BWV 232 - K. Junghänel & Cantus Cölln | BWV 232 - H.v. Karajan | BWV 232 - R. King | BWV 232 - O. Klemperer | BWV 232 - S. Kuijken | BWV 232 - G. Leonhardt | BWV 232 - P. McCreesh | BWV 232 - M. Minkowski | BWV 232 - H. Müller-Bruhl | BWV 232 - S. Ozawa | BWV 232 - M. Pearlman | BWV 232 - K. Richter | BWV 232 - J. Rifkin | BWV 232 - H. Rilling | BWV 232 - H. Scherchen | BWV 232 - P. Schreier | BWV 232 - R. Shaw | BWV 232 - G. Solti | BWV 232 - M. Suzuki | BWV 232 - J. Thomas & ABS | BWV 232 - K. Thomas | BWV 232 - J.v. Veldhoven
Articles: Mass in B Minor, BWV 232 [T. Noel Towe] | Bach’s B minor Mass on Period Instruments [D. Satz] | Like Father, Like Son [B. Pehrson]

Peter Schreier: Short Biography | Kammerorchester Berlin
Recordings:
Part 1 | Part 2 | General Discussions | Interview with Schreier [Are Söholt]
Individual Recordings:
BWV 232 – Schreier | BWV 245 – Schreier | BWV 248 - Schreier
Table of recordings by BWV Number


Recordings & Discussions of Other Vocal Works: Main Page | Motets BWV 225-231 | Mass in B minor BWV 232 | Missae Breves & Sanctus BWV 233-242 | Magnificat BWV 243 | Matthäus-Passion BWV 244 | Johannes-Passion BWV 245 | Lukas-Passion BWV 246 | Markus-Passion BWV 247 | Weihnachts-Oratorium BWV 248 | Oster-Oratorium BWV 249 | Chorales BWV 250-438 | Geistliche Lieder BWV 439-507 | AMN BWV 508-523 | Quodlibet BWV 524 | Aria BWV 1127 | Motet BWV 1165=Anh 159




 

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Last update: Tuesday, October 18, 2022 06:40